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The unit weighs a substantive 34 pounds and measures 17 inches wide by seven-and-a-half inches tall by just over 16 inches deep. Connectivity is not a problem, as the Rotel features all of the requisite analog and digital inputs and outputs. Video processing is handled by the Faroudja Tourino, their latest and greatest offering and, yes, it supports 3D.
I connected the RSX-1562 to my current home theater system, which includes an

Oppo BDP-93 Blu-ray player
, a Sony PS3, a Music Hall MMF 2.2 turntable, an Apple TV, a Cambridge Audio DacMagic and a DirecTV HD DVR. The front left and right speakers are Focal Chorus 836 Ws and the center and surrounds in my 7.1 setup are all

Episode Series 700 in-walls
. The subwoofer is a Definitive Technology SuperCube II and all of the cabling came courtesy of David Salz and company at

WireWorld
.
After connecting everything, I fired up the Rotel and went straight into the menu. I immediately noticed that the OSD or On Screen Display is about as vanilla as they come. At the end of the day, though, does this really matter? I don’t think so, not if it functions as it should and covers all of the bases, which it does. This said, there is no automatic room correction featured on the RSX-1562, a potential deal-breaker for those who use this as a crutch. It’s worth noting, however, that a measuring tape, an SPL meter and some patience will generally net better results. While I didn’t miss a room correction system on the Rotel, I did miss a headphone jack (I have a two-year-old who’s a light sleeper) and Dolby Volume or similar volume correction, which is great for toning down volume spikes on commercials. Considering Rotel’s engineering prowess, it would make send for the company to have developed its own proprietary version of volume leveling. However, Rotel explained that the company doesn’t believe in volume leveling, stating that the process can affect louder sections of the content.
The last noteworthy bit about the hookup relates to the speaker binding posts. In my opinion, if you’re spending big money on a receiver, your binding posts should be able to accommodate heavy speaker wire. Audiophiles love their high-end speaker cables, which tend to be heavy, anaconda-like beasts. Thankfully, Rotel did not cut corners on their binding posts, as they were solid enough to support my beefy WireWorld Oasis 6 cables.
Performance

I gave the Rotel a solid 24 hours of break-in time before starting any critical listening, and then I fired up some two-channel music in the form of Timmy Curran’s “Daylight’s Coming” from his album Word of Mouth (Adeline Records), played through my MacBook Pro using

Decibel playback software
. I immediately noticed that the Rotel threw a nice, broad soundstage, all while accurately conveying all the rasp and nuance of Curran’s beautiful voice. The bass was also well represented and palpable, while not being the least bit overbearing. Overall cohesion was strong and provided an engaging and lively listening experience. Each layer of instrumentation was well fleshed-out, with no signs of the muddiness that tends to be the sonic signature of lesser receivers.
Read more about the Rotel RSX-1562’s performance on Page 2.

Continuing with two-channel music, I cued Paul Simon’s “Getting Ready for Christmas Day” from his brilliant new release So Beautiful or So What (Hear Music). I picked this album up as a high-resolution, 96/24 download from www.HDTracks.com as it is a fun, incredibly well-recorded album. I played it back using the RSX-1562’s Bypass Mode, which passes the signal right through from the source components with no processing. This turned out to be the most sonically pleasing setting for two-channel listening; if you have a decent DAC as part of your system, you’ll likely want to stick to this setting as well. During this listening session, I was again impressed by the soundstage, which was wide and convincing. This is a busy track and some of the instrumentation can be lost on lesser gear. Not so with the Rotel, as the instrumental detail and especially Simon’s vocals were all represented with solid resolution and transparency. For lack of a better way to put it, this is a toe-tapper of a track and the experience of listening to it several times through the Rotel was as it should have been – fun and engaging. This track is best enjoyed at high volume, and that’s what I did. The Rotel cruised along at 80 percent volume while showing no signs of strain or the fry-an-egg-on-it heat that some receivers exhibit when pushed.